Heart of Darkness/Blood Diamond

edacity is the Root of All Evil avariciousness exists at the centre of malevolent on not only an individual level, provided also that of a communal and human beings-wide level. Contextually in that respect is a c beless alteration in the stimulus (Ivory vs. diamond) for rapaciousness and of globular aw atomic number 18ness towards the issue, although in the coulomb that discerns Joseph Conrads exploration of colonial government activityn in his novella Heart of nighttime and Edward Zwicks post-colonial film course Diamond, the set driving the major extensions and occurrenceions from the different texts are comparably similar.In both texts, in that respect are individuals showcasing major facets motivated by greed, ghost with the stimulus that is presented in either ascorbic acid. In Conrads Heart of vileness, the character Kurtz is in general stimulated by greed. His obsession with bead was at an extreme where main character Marlow refers to his physical appearance as kindred a ball- an ivory ball and as having an ivory face. These individual simile and metaphors capsule how Kurtz had become gripped by ivory to the tear d avouch where it was taking over his very being.This description that Kurtz is placed in is carried by dint of to his expiry moments where The brown current ran swiftly pop of the Heart of Darkness-Kurtzs spirit was trail swiftly, too This indirect juxtaposition relate the ideas of Kurtzs life with the Heart of Darkness, not being a physical location, moreover an internalised nature representing Kurtz. These links of the rapacious Kurtz to a being of pure immorality is an sixth sense into the overtaken existence of greed indoors individuals of evil.In similarity, is Colonel Coetzee from Zwicks line of work Diamond. This individual has a disposition for riches, one so overbearing that it blinds him from the fact that he destroys masses of lives to achieve his own(prenominal) benefit. A motion-pict ure show that best represents this otiose mass murder for a m opposite that results in selfish profit is the Colonels order from the helicopter, I dont give a damn whos down on that point, kill them all A low angle close up shot of the centre framed helicopter is used, presenting it as an overpowering, menacing presence.The line itself poses an tension on the Colonels voracious motives, suggesting he would kill his friend, and main character Danny bowman, if it means his war is won and his rarely benefits are received. There is considered intertextuality amid this paraphrase and that of Kurtz from Heart of Darkness. At the complete way out of morality from Kurtz, a quote label this points Exterminate all the brutes. These quotes juxtapose the dickens characters from the individual texts together and with it, their greedy purposes and evil natures, proving that the greed of an individual is the root of their co-existing evil.Greed operate bumbleion is also existenti al on a communal level, both in Heart of Darkness and Blood Diamond. In Heart of Darkness, the caller is the centre of concern in the Congo, a searchingly real industry, although with hidden voracious motives. She talked about weaning those ignorant millions from their horrid ways-I ventured to hint that the fraternity was run for profit. This understatement made by Marlow expresses the Companys attention, or lack of, for the natives of the Congo, except in fact they only care to exploit the natural resources.We are systematically hinted that their work isnt out there in the luminous estuary exclusively within the brooding gloom. These binary opposites are repeatedly used in the novella to separate the ideas of light and dark with good and evil respectively, an extreme use of irony that Conrad persists with throughout the book. This mindless exploitation is an example of how greed can negatively affect a participation. The communal effect of evil set by rapacity in Blo od Diamond, is displayed through the actions of the R. U.F, the Revolutionary United Front. Their spell of native children into child soldiers and other locals into buckle down labourers, marks their negligence to human life so that they can gain wealth from the diamond trade. A heavily symbolistic background in the film is the celebration undermentioned the overtake of Freetown in sierra Leonne by the R. U. F. The loud, scratchy music attach to the low key sack in contrast to the bright blurred flames creates a sense of chaos and lack of morality, emphatic by the fast cuts and camera movement.The chiaroscuro dismission on the characters faces and the silhouettes position to the bright fiery background symbolises their action by darkness. Several presentations of immoral acts are shown, dead bodies being strung, children consuming alcoholic beverage and drugs and the destruction of property, linking to the classical allusion of Dantes Inferno, exemplify pointless sufferin g and destruction. This, among other scenes, symbolises the complete carelessness for human life in the voracious scramble for Africas resources.Although in the century that separates the two texts, awareness has giving dramatically, the worldwide scale of corruption out-of-pocket to acts of greed are present in both texts. In Heart of Darkness, the novella ends back aboard the boat with Marlow and his bunch as they are lead into the gist of an immense darkness. The physical connotations of this quote is that the effects can be seen on the other side of the world in England, although ironically the Heart of Darkness doesnt delusion in both the Congo and the Thames but man himself, whose actions have a world(prenominal) effect the actions of Kurtz. Upon the whole, the trade will suffer. I dont deny there is a remarkable quantity of ivory-mostly fogey This quote demonstrates the global effect that Kurtzs actions undertake, making a historical allusion to the fogey ivory tha t ended up in Siberia. This demonstrates the global effects that branches out from the corrupt actions of a greedy soul. In contrast, the global awareness to the situation in Blood Diamond was comparably increased to that of the ordinal century, although the global effects of gluttony driven evil were evidently more severe. The trio world is not a world apart is an ironic statement represent by the heavily juxtaposed scenes in the midst of a G8 conference and the diamond palm of Sierra Leonne. The high key firing of the conference opposed to the overcast lighting of the diamond fields along with the respective modern colour scheme and the dirty, unsympathetic colour scheme is contrasted with quick scene cuts to juxtapose the sheer difference between the two separate worlds. Although these two locations seem so distant, the effects are carried through from one to the other.The conflict diamonds reach the stores of the number one world but are not ours to steal in the name of comfort, corporations, and consumerism. This captures the global effects that mans greed enfolds, taking advantage of the actions of corruption for our own consumerism, or greed. So in the century that separates Joseph Conrads exploration of colonial regime in his novella Heart of Darkness and Edward Zwicks post-colonial film Blood Diamond, there is sufficient evidence to remark that greed is the root of all evil in man, the effects spanning not only the heart of man but within its community and on a global scale.